Monday, 3 March 2014

"Labour" (2014), Jonas en de Walvis, St. Josephkerk, Amsterdam

Labour (2014), birth pool, birth ease ball, plastic hose, surface transducer, small amplifier, audio player and incense.























On the same day as my second child was born I received an email by artist Terry Vreeburg asking to participate in this exhibition. It made sense to transfer the experience of the birth of my daughter into a work at the church.

Reading about the theme for the exhibition, focussing on the Jonah and the Whale story, the church becoming the whale and Terry's version of a whale's belly, I was thinking about the womb.

In the story there is an interesting moment where Jonah gets swallowed by a big male fish, he is there for three days, and in these three days the fish turns into a female fish and only then gets spitted out. When Jonah is out of the fish he decides to help the people of Niveneh from its destruction.

A few days later I started reading the book Psychoanalysis & Religion by Erich Fromm. The book also discusses different religions in the broadest sense of the word. Freud was quoted, saying that religion is a repetition of the experience as a child. "By obeying commands and avoiding transgressions of the parent, a child receives love, protection, superior wisdom and strength". This describes elements existing in all authoritative religions.

Personally I feel more connected to conceptions of humanistic religion then this authoritative figure that stands above all. God has created man and is therefore his property and can destroy them. Just like God wanted to do with the city Nineveh and its people. Humanistic forms of religion centre around the individual, to his or her strength, to recognise the truth regard to the person's potentials and limitations, to develop the power of reason, for self-understanding, the relation with fellow man, his or her place in the universe and to love the self and others.

So for me all the above mentioned about the humanistic aspects of religion, was making sense relating to the birth of my daughter. Understanding my preceding emotions, distractions and egocentricity. The experience created a personal realisation of somewhat my own truth, what is important to me and how to approach this change in my life.

With this installation work I wanted to bring my personal life and art even closer, use it more direct and to create an small intimate environment. The birth pool turns into a speaker and one can sit on the ball. Enveloped by the sound recording you can grasp or get a feeling of what happened during the home birth taken place in the birth pool. By creating a space where the birth is re-lived, I wanted to bring some life and warmth in a cold and desanctified church.

For the installation I re-used several objects and materials that were used during the birth.

Monday, 30 December 2013

"An ode to bear" (2013) Bacho Kiro Cave, Bulgaria


In about the end of the summer, during my stay with family in the village Daskot in Bulgaria, I made a lot of walks into the hills. There I found a certain type of reed or cane growing in the fields. From one of these reeds I made a flute.










When I heard we would visit a very old cave in the same region I decided to take it with me. I ended up playing for my family in what is referred to as the Concert Hall of the Bacho Kiro cave.

The Bacho Kiro cave is located close to the Dryanovo Monastery. It was formed initially in the Paleogene period, between 66 and 23 million years ago. Over thousands of years it has been shaped and taken amazing forms. Since it was first inhabited for over 40.000 years ago, different humans and animals have lived there over time. And the oldest remains, in the Balkan peninsula, of a cave bear were found there.

In terms of the relation between sound-space-perceiver it is historically a very interesting space. The functionality given to this specific part of the cave indicates the importance of music in daily life and that performance took place in the homes of humans. It also shows that humans were very much aware about the acoustic qualities of spaces, how it effects a sound source and the perception of it.

I can imagine that inhabitants would pick a certain space in a cave for its specific acoustic quality and determine by there own choice of aesthetics what instrument worked best in that space.


I would say that these Concert Halls can be considered the predecessors of any type of architectural designed structure build for music performance.




Saturday, 21 December 2013

"When man & mountains meet" (2013) Bougoumez Valley, Morocco


For a while I have been wanting to make a performance with my audio-system in a mountainous area. Bougoumez Valley is situated in the High Atlas of Morocco. We moved through the valley from village to village and stayed in gîtes which are family run shelters or homes. The landscape is believed to be formed within the Mesozoic era and succeeded my expectations of how majestic the mountain range is.

A mountain can be considered a sacred place and has something mystical and magical. But at the same time I found out that the higher part of the mountain is occasionally used as a toilet and to dump the village garbage and/or burn it. The reason, because it is furthest away from the river or streams which local people also use as drinking water.

During the walking trips through the valley I found different objects to construct my pre-historic mountain instrument (piece of wood, metal wire, tin sardine can, nail, elastic and metal strap) to use with my autonomous portable audio-system.

















When I went up a hill to look for the spot to perform I came across my potential cardboard speaker box. By being on top of a hill I also had a broader perception of the sound environment. I was enveloped by the surrounding sounds coming from within the valley, echoing as they were bouncing of the mountain sides traveling upwards.

















When I found the right spot I fixed the speaker and connected my system.

















Now I was ready to perform my mountain song!










Friday, 20 December 2013

"These sounds will lead the way" (2013), Groepsexpositie: Couchsurfers and A-Boys, Jabu Arnell's house, Amsterdam

Jabu Arnell invited me to do a performance at his house which he turned into a exhibition space for a bunch of artists and couchurfers.

I decided to approach this performance in a similar way as my previous action, this time I made one continuous recording while I drove my bike through the city from my house to Jabu's. The recording was used as a sonic recital accompanied by the reading of a text and instrumentation with a small cardboard box I made into a poly-instrument and microphone. The text were slightly modified fragments taken from the book "Listening to Noise and Silence" by Salome Voegelin, it was chanted in a Vedic like manner.



















The night before I found a very large cardboard box at a construction site near his house which I used for my mega-speaker. For amplification I used my portable audio-system, contact mic and an audio mixer.

Tuesday, 12 November 2013

"A walk from one domestic place to another" (2013), The Netherlands

This work was a walk and sound performance.
From my home in Amsterdam to my friends home who live in the forest in Driebergen-Zeist.

They are a small family who are living in a fairly socially and culturally isolated area, at least compared to their previous home in the city Utrecht. I decided to visit them and make a small domestic sound performance in their living room.


I have been wanting to go for a walk for some time now. Just using my own body and feet. Experiencing the transition of place through walking speed, leaving the city, the "border" with the outside of the city, passing through villages and towns etc. Approaching the whole as one and incorporating the way there, the movement between one static space to another, within the sound performance.

During the walk sound recordings were made with my portable recorder and contact microphone. The recordings were used in combination with my self-made mallets and small domestic objects (paperclip/elastic bands/tape/glass cup) that functioned as unconventional instruments. I brought my autonomous audio system and needed one of their old cardboard boxes to make my speaker.

The walk was in total 55 km, I managed to walk 42,5 in 12 hours up till Hollandsche Rading. From there I took the train and bus for the last 12,5 km. The whole walk was a full sensory experience, including attentive listening within a flux of soundscapes, till the point where I became so sensitive to my walking surface I was avoiding any concrete or stone pavement/road.

On my way back I walked the remaining 12,5 km from my friends house to Hollandsche Rading and took the train back to Amsterdam. To complete the whole, I made another sound performance the next day at home, just by myself.

I didn't use a map and only wrote down names of streets and roads on a piece of paper and asked people for directions. This way I had some social interaction and met some interesting people along the way. I would like to thank everyone that took the effort to take a picture and send it to me by email.










Friday, 18 October 2013

"This time I went for Monsanto but ended up in another park" (2013) Lisboa, Portugal

In July I travelled with my family to Lisboa and visited my friend Hans Kuiper aka Inspector Casino.
With me I brought my autonomous portable audio system. In the neighborhood cafe's I asked around for some cardboard boxes and made my cardboard speaker backpack. After I made the speakers I was "waiting" for the moment when it felt right to PERFORM. I wanted it to be part of the everyday transition of actions. Just a change of intention. After a full day of activities; going to the city, shopping for groceries, going to the beach and making some field recordings along the way. I ended up making an action in the park of the suburb where Hans was living.

The title refers to two different public parks located in Lisbon. Because of the name Monsanto I instantly had to think of the multinational agrochemical and agricultural biotechnological corporation. Parallel to the choice of park it also suggests a fictional action, eventually choosing not to go for Monsanto seeds but something that grows organic, for something unmodified, not patented and nameless.



















Tuesday, 15 October 2013

"RadioActivity" (2013) at MilieuServiceNederland Rijksakademie, Amsterdam

For this radio performance I hacked two small portable radio's transforming them into little synth's.
Utilizing radio frequencies and the radio's circuits to create the minimal with the maximum.

You can listen here.